Showing posts with label Expats Post. Show all posts
Showing posts with label Expats Post. Show all posts

Monday, April 9, 2012

Sometimes Love Can't Shut Up

A spoken word reflection on love...



Sometimes love can’t shut up.  It’s a bad habit that love can’t seem to break... not that it ever tried.  Love always seems to talk at the worst possible times.  Like when other much more deserving emotions wish to say their peace, and walk away.  I swear there are times that love, if it was smarter, would save itself the ass-whuppin’, and just move along.

Sunday, February 26, 2012

The Screenplay Diary: "Between Love and Orgasms"... Taking a Turn for the Words

My favorite story (out of many) about the bringing of story to screen is the story of the 2005 Academy Award nominated film Sideways.

The film was an adaptation of the novel of the same name, written by a relative failure by Hollywood standards (author Rex Pickett), ironically about a man who is a failure as novelist. The story also mirrors Pickett’s life as a quasi-alcoholic in search of success in mid-life, after years of failed attempts to break through to mainstream industry acceptance.

Sometimes lost in the story of the making of Sideways is the tucked-away fact that Pickett’s novel was still unpublished at the time it was being turned into the surprise hit of 2004. Director Alexander Payne “discovered” the story, reading the novel in waiting on a flight from Edinburgh to Los Angeles. But for me, the part of the “lost in the story” story that influences me the most is that a finished, but unsold, story served as an industry “calling card” to get the story of Sideways in the hands of the right person to make Rex Pickett’s words make it to the big screen. Which led me to this conclusion...

Tuesday, February 21, 2012

Muth Labben


Today is for counting my wasted yesterdays
Each one neatly lined up, row on dusty row

Every year the same...

Today is for remembering your unborn tomorrows
And the time I sit, because walking is too slow

There is no blame...

Today is for pretending to make sense of the past
From a life ended, with nothing to show

When I speak your name...

Today is for thinking that memories last
But all they do is fade, until they go...

Like every unfinished song to be sung...



About the death of a son.



Copyright © 2012 Bill Friday

Saturday, February 4, 2012

I Am Fucked No More

A little FRIDAY REWIND.



A reissue of my final column for a soon-to-be deceased internet venue.  Please follow the link to the beautiful, new Expats Post, the new home of Friday On Friday, and a whole lineup of talented writers.

For now, here is "I Am Fucked No More" 



Epiphany in my time of greatest need
that the shit on which I feed no longer satisfies my empty beggars gut
as it once did
I am whole within myself
and no sorry-ass opinion of my well-chronicled condition
matters now or in the future
as it once did
like before
I’m telling all
from now on
broken gone
I am fucked no more.

Wednesday, February 1, 2012

Out of a Crowd



I wouldn’t choose you today if I had to.

Out of a crowd, or all alone.

this makes me want to die

Maybe only to save you from some something.                                                                

Not for the old, not for the new if I had to.

this teaches me to lie  

It’s sad and it’s true.


but only to get by  

Because there’s not much else to do.

no more asking why

With you.






Copyright © 2012 Bill Friday
content originally appeared on the website Expats Post

Saturday, January 21, 2012

Amicus


I have seen the way I see you, forever.
In the now and then, the same
Never worse, only better,
In honesty, not shame…

I have seen the way I see you, forever.
Not your lover, not your brother, in name.
Without end, or beginning,
Only right now today…

As I see you.

Sunday, December 25, 2011

Coffee Mandatory




A small example of the stuff that was Friday On Friday (old school).  Originally published on a website that shall not be named, here are a few thoughts on coffee, writing, and (if you have a dirty mind) sex.  Follow the link buried in the headline to find the coolest new writer's site on the interwebz...

Thursday, December 15, 2011

The Screenplay Diary: "Between Love and Orgasms"... How to Write a Movie in 21 Days

“The you who started the script is different from the you who finishes it.”

Viki King

While I’m not in favor of gimmicks, I am in favor of the idea of freeing my mind from the things that slow me down in the creative process... like thinking.  If I’ve already done my thinking... and on this story, I have... then maybe just letting go, like author Ray Bradbury often suggested, so the characters can do the talking, is the exact, right thing to do.

So when I found screen story writer Vicki King’s book, “How to Write a Movie in 21 Days: The Inner Movie Method”, in a stack of um... lightly read... paperbacks, I decided to give it another look.  The essence of the author’s instruction is simple.

Don’t over think.

And since I’m still closer to the beginning of this (Lord, I hate the word) journey, I figured it wasn’t too late for a little light, and often profound, reading along the way.

Saturday, February 26, 2011

The White Paint Chronicles (#0001)

“I’m a stop singing this song because I’m high (raise the ceiling baby)...


I’m singing this whole thing wrong, because I’m high (bring it back)...

And if I don’t sell one copy, I’ll know why (Why man? Yeah)...

Cause I’m high, cause I’m high, cause I’m high.”


"Because I Got High"
Music and Lyrics by Joseph A. Foreman
(aka "Afroman")


“Because a writer writes.”

I wrote that in the liner of a leather-bound journal, that I gave as a gift once. A birthday gift, to a guy I worked with, who called himself a writer. He used to make me read his stuff. Written long-hand, in a two inch, three-ring notebook on wide-ruled, 8 ½ by 11 paper. It sucked. At the time, I didn’t know if what I wrote in that journal was for his encouragement, or just a thinly veiled attempt at harsh sarcasm. It’s been years now, and I still don’t know which it was, and that isn’t even the point. The point I’m making is that this fuzzy, gray-white cloud of a memory most likely only popped into my head right now because of what I, a writer, just did for a fucking paycheck.

Yeah, it’s funny what a few well-mixed, federally regulated, industrial chemicals can do to rip a dead memory from the hard ground of a guy’s head like a cosmic backhoe, under the paint-stained bandanna, just the other side of the blood-brain barrier.

I started working semi-permanent, part-time jobs so I could spend the bulk of my thoughts (at least that’s what I told myself at the time) on what I told anyone who would listen was my next career… “Writer”. Now, when I’m honest (or drunk), I tell the world (or those in it who would listen) that I’m “a guy who works two part-time jobs… and blogs”.

Sort of.

And like the song clue at the top tells you (if this was a movie, it would have been playing in the background on a car radio), last week’s Libertarian drug flashback went and turned itself into its own bullshit crisis of conscience, artistic epiphany… all in the hour it took to paint a mildew stained, six-by-thirty, cinder block and drywall storage unit, deep inside an unventilated apartment garage.

God, how toxic primer can make you think, while it kills the handful of brain cells you have left.

In the week since what I now refer to as the Afroman Epiphany forced me to re-evaluate the choices I’ve made for becoming a handsomely-paid writer, it wasn’t till Day 6 that it came to me. Nobody who wants to get paid for thinking up cool new ways to use the same old words already used (but better) by other (dead) writers, should ever have to work in a Huffer’s Paradise of well-mixed, federally regulated, industrial chemicals… no matter how pretty they make a cinder block and drywall storage unit… not even if your name is Charles Fucking Bukowski.

And no amount of white paint on a dirty old bandanna can cover up whatever other repressed memories of why I really write.



Also available for reading on Expats Post (where writers Write to Live)
http://expatspost.com/columns/the-white-paint-chronicles-0001-2/



Thursday, May 15, 2008

Bill Friday And Fat Bastard Eat A Dutch Baby At The Original Pancake House


Bill Friday and a special guest taste for themselves the specialty of the house at the legendary Redondo Beach eatery The Original Pancake House.
"A restaurant review in three-and-a-half acts."
9:58 a.m.
I stood waiting in the parking lot, the heat rising in waves from the black asphalt. My guest had two minutes before I tossed my melting flip-flops into the trash and headed to the nearest Peet’s Coffee for a sourdough hockey puck and an iced coffee to go.
It was two minutes to ten and already so hot my lungs were starting to sweat.
I turned to head for my car.
“Bill Friday, ye dead sexy man!”
The voice thundered through the gray, humid air. I thought I felt the first drop of rain.
“Hey Friday! Ye promised me a BABY and I’m here to…
Behind me in the parking lot, I heard a small child scream. I turned to see her mother scoop her up and hold her tight. Mom looked like she didn’t know to run or ask my guest for an autograph.
“I want my baby-back-baby-back-baby-back, I want my baby-back-baby-back-baby-back…”
He wore a kimono, and his hair was swept up on top of his head, held there by a leather thong. He wore wooden slippers on his stocking feet.
“Oooh, what a beautiful BABY! Hey Mommy! Bring me that BABY! Hey BABY! Get in my BELLLEEE!”
Baby screamed.
Mommy ran.
Well at least he was on time.

••••
10:03 a.m.
Inside The Original Pancake House, a Redondo Beach legend since the 1960’s, my guest and I seated ourselves at a table in the center of the restaurant. The place was packed. It’s always packed. I slipped the manager a five-spot and he showed us to a table.
I took the chair. He took the bench… and the bench at the next table, too. The air conditioning began to take effect. My lungs felt drier and my guest’s skin looked a little less waxy.
Our waitress came to us, pad in hand. She was young and thin and looked like Carrie Ann Inaba. She looked unsure, like a schoolgirl trapped in a locker room full of varsity wrestlers late on a Friday afternoon. From three-arms-length she asked us if we knew what we wanted.
“Fook ME!”
“No! Fook Yu you Fat Bastard!” she shouted back.
A lot like Carrie Ann Inaba.
“I came for The BABY!”
She didn’t bat an eye.
“And coffee… black. I’m watchin’ me girlish figure.”
She giggled like a school girl too. She looked at me and smiled.
“Make it two.”
She started to leave.
“Oh, and a side of ham… and another side of ham… and… let’s just make it two babies, three sides of ham, and… well if I need something else I know where to find ye, eh?”
He looked at me, at the waitress, and back at me. Loud enough for the whole place to hear he said,
“I love it when a woman will still talk dirty to ya’ over breakfast!”
Still giggling, she left our table. As she went, my guest leaned in close, as if to whisper something to me.
“I wonder if she has a sister.”
••••
10:26 a.m.
My guest and I made small talk while we waited. I asked him if he still kept in touch with any of the old gang. He said little Scott e-mails him from prison now and again. I told him I still see Foxy when she’s in town. And that news woman keeps calling… what was her name…? Oh yeah, Leyna Nguyen.
Our waitress was back, trays of food on each arm. None of it for me. She off-loaded the two babies.
My guest looked confused. It was the look of a starving man when you hand him a fishing pole instead of a fish.
“What in the name of all that’s EVIL is this?”
“It’s your order you Fat Bastard!”
“But I ordered BABIES! I’m here to eat BABIES!” The waitress giggled. She set the “Babies” down gently in front of my guest.
These BABIES you order! No other BABIES on menu!” She looked at me and giggled.
“You that writer guy… Friday?”
Tentatively, I nodded.
“I like writers. Sister like writers too.”
She leaned in, close.
“I give you baby soon.” She smiled. “Maybe sister give you baby too.”
Giggling again, she hurried to the kitchen.
“This is some full-service joint! And I LOVE these BABIES too!”
And who wouldn’t? The “Dutch Baby”, an Original Pancake House creation, is like a cross between a soufflé, an omlette, and a stack of pancakes, all in a one-foot-in-diameter-sized pastry. A special, tropical syrup is optional, but recommended. Combined with any of the available sides, just one baby is enough to make anybody full for the rest of the morning.
Anybody except the Fat Bastard sitting across the table from me.
“Now if I could just get the number of that waitress and her sister…”
My guest finished his sides of sausage using only his plate as a utensil. He knocked off the last of the babies, then delicately sipped his black coffee.
He looked sad, like the experience of eating two Dutch Babies somehow wasn’t enough.
“Friday, d’ya know why I eat?”
I shook my head.
“I eat because I’m unhappy, and I’m unhappy because I eat. It’s a vicious cycle. I once lost a lot of weight on the Subway diet but now… I’ve got more chins than a Chinese phonebook!”
His whole body seemed to shake with the effort truth. One of his chins smacked into the cup in his hand, spilling the coffee onto the enormous plate. Looking down at once was two babies, he spoke softly.
“I do still seem to have a bit of excess skin though, don’t I?”
He looked me in the eyes.
“Now if you’ll excuse me, there’s someone I need to get in touch with and forgive… ME-SELF!”
His cell phone rang. He looked to see who it was.
“I have to take this… It’s Goldmember. HALLOO? Johan, y’dead sexy man ye, how’s…”
After what seemed like nine months, the waitress finally delivered my baby. I told her I didn’t want it anymore. This seemed to bother her, but I had no idea why.
“After all I do for you, now you no want BABY! All writers alike… BASTARD!”
“I’m not The Bastard, HE’S The Bastard!” I struggled for words. “Maybe he wants the baby!”
“Not his baby!”
“Are you sure about that?”
She burst into tears, held the baby to her chest, and ran for the kitchen.
“Come back! Fook Me!...”
“No Fook Me! Fook Yu!”
And she was gone.
••••
11:01 a.m.
Back in the parking lot, my guest was still on the phone.
“Absolutely Johan! I’ll be right there!”
He closed the phone and tucked it somewhere inside his kimono. God only knows where.
“Friday, I’m off to meet an old friend for coffee. He says there’s this great place on Avenue G… looks like a colostomy bag exploded in the bathroom, but the House blend is to die for…LITTERALLY! AHH, HA-HA-HA!”
I asked him if he needed a ride. He told me no, that the walk might do him good.
“Y’know Friday, life’s short. Too short to hold a grudge. And it’s a long road ahead and… ahh, who am I kidding, I’m gonna kill him anyway!”
Sweating again, he turned to go up PCH. I thought about going with him for coffee, but I burned that bridge a long time ago. My phone rang. I answered.
“Friday organization... Number Two...? No , more like forever!... Starbucks in the Village...? Oh, and give my love to Leyna!”
I hung up and started walking toward Riviera Village.
The Original Pancake House is locataed at 1756 S. Pacific Coast Highway in Redondo Beach. You can call them at 310-543-9875 for hours, directions and other questions about the "Dutch Baby". They will, however, deny all knowledge of the writer known as Bill Friday.