Showing posts with label It's Always Friday. Show all posts
Showing posts with label It's Always Friday. Show all posts

Saturday, October 6, 2012

Advil and Alcohol Cures Everything



Will you please come to me in my dreams, after three and before four, when the pain is less and sleep comes best to my sleepless brain?

The pain in my mouth has almost gone with the sunrise.  A root canal on the horizon, like the dawn.  Three Advil after clammy night sweats, and sleep tries to claim me again.

Will you please come to me in my dreams, after four and before five, when my thoughts express my hopelessness, and my soul needs its rest?

The pain came back in crashing waves as the sun appeared without warning.  Gray-pink light from the fetal position, and there is no fucking way... no fucking way.

Will you please come to me in my dreams, after six and before seven, when the sun is raw as an exposed and dying nerve? 

The pain isn't all in my body, or in my hanging head.  It’s closer to my soul.  And like anyone could tell you, my soul is dead. 

Will you please come to me in my dreams, if I have them, after eight or nine or ten?  When the sun hangs low and the night comes back, and I’m too tired to feel.

The pain is no more.  It has gone the way of my soul.  Rest is inevitable, if rest is what it should be called.  Maybe just a break between struggles... with what’s real.

Will you please come to me in my dreams, when my dreams are the truth, and my open eyes look at what can’t be so?

                A new pain.  What is real.  Above the lies.



Copyright © 2012 Bill Friday

Friday, July 27, 2012

Be


I don’t want to be right now, if being means I care. 
If caring means I need to be today.
A future with no past I can bear, or at least look forward to. 
Not the need to cease to be today.
I see another day to be, not this one, but somewhere. 
To live my deepest need to be someday.
A time of then and there, with you. 
Nothing left to be or do, but we. 
Or another thing to say.    



Copyright © 2012 Bill Friday

(and follow Bill at Expats Post) 

Sunday, July 22, 2012

The Screenplay Diary: "Between Love and Orgasms"... Based on a True Story?



Every writer, no matter the genre, will eventually run into (or run over and fall into) that giant sucking sinkhole of creative quicksand... alliterative pun full intended... the, “how close is too close?” question.  Mulling this over for a solid five minutes before I began writing today’s entry in The Screenplay Diary, it got me to thinking about something you see in the super short TV trailers for films about to be released (or released straight to DVD).

Something I now call, “the source tag”.

“A true story”… “Based on a true story”... “Inspired by true events”... “From an original concept developed by”... “Stolen from the intellectual property of”...  Seriously, where does it end?  And where does a writer have to draw the hard line between life informing fiction, and autobiography? 

You tell me when you figure it out, because I have no idea.

As with pretty much anything I’ve ever written that has ended up read in public places, the crafting of personal words usually find their way into the light because of very personal experiences.  Personal, that is, unless they are the very personal words of some other “character” in the story.  And sometimes, a story that’s too close can take on an unanticipated (at least for the viewer) element of extreme Cinema verite.    

For the sake of once such character, this Screenplay Diary marks the end of one in particular which has dominated the last several of entries.  For all who have been regular readers here, it’s time for you to say goodbye (for now) to the character of Buddy.

                                                                               

INT. WAREHOUSE – Late Afternoon

Buddy sits at his computer in the dispatch office.  Robbie enters, and flops into a spare office chair, never looking up from texting.  Buddy’s desk phone rings.

                                                                                BUDDY (on phone)
                                                Yes?  Sure... be right there.
                                                                (mutters, half in Tagalog)
                                                Ina fucker.

                                                                                ROBBIE
                                                Who’s that?

                                                                                BUDDY
                                                Randall.

                                                                                ROBBIE
                                                The big boss?  What’s he want?

                                                                                BUDDY
                                                He’s going to fire me.                    

                                                                                ROBBIE
                                                He can’t do that!

                                                                                BUDDY
                                                He thinks he can.

                                                                                ROBBIE
                                                What are you going to do?

                                                                                BUDDY
                                                I’ve got peek-chures.  Sa aking lock-air.

                                                                                ROBBIE
                                                In your locker?  Pictures of what?

                                                                                BUDDY
                                                Peek-chures of Randall giving me my job back.
                                                And maybe a raise.

                                                                                ROBBIE
                                                No really.  Pictures of what?

                                                                                BUDDY
                                                Ang pinakamahusay na hindi mo alam
            Best you don’t know.

Robbie stops texting.

                                                                                ROBBIE
                                                Seriously, why?

                                                                                BUDDY
                                                Because then, I would have to kill you...
                                                and the goat.

The desk phone rings again.  Buddy answers it.

                                                                               BUDDY
                                                 I'll be right there... Randall.



See you later Buddy.  And see you all later too.  Next time... a love story.



Copyright © 2012 Bill Friday 

Saturday, June 23, 2012

The Screenplay Diary: "Between Love and Orgasms"... The Resident

The secondary character in a film can do one (or several) thing(s) to help a screen story come to life... or pull the plug on a story’s failing life-support... quicker than that brilliant soliloquy you’ve already written 100 pages in advance, for your lead character to monologue during the great, big, Shyamalanesque, didn’t-see-it-coming reveal at the end of the final scene.  The secondary character can inform the plot, move the story along in both actions and words... especially when the lead characters are stuck hip-deep in some kind of lead character, existential quicksand (like all lead characters tend to be).  

The right kind of secondary character, good guy or bad guy, lights the fire... or kicks the ass... of the leads.  And a great secondary character, whether it’s Heath Ledger’s The Joker in The Dark Knight, or Ken Jeong’s Leslie Chow inthe Hangover, or even Anthony Michael Hall’s Farmer Ted in Sixteen Candles, the best secondary character is usually a scene stealer.

In The Screenplay Diary, I have introduced one particular secondary character, Buddy.  In this entry, Buddy’s last for a while, this secondary character is introduced (with the audience) to his own secondary character.  The supporting actor’s “supporting actor”.  Kind of like John Cusack’s Bryce... standing side by side with Farmer Ted... in Sixteen Candles.

In “Between Love and Orgasms”, the secondary character of Buddy, best friend and messenger company boss to the script’s main character, Robbie, encounters own best-supporting nemesis in a character known as “The Resident”.

INT. Office – NIGHT. 

Robbie and Buddy sit in swivel chairs... Buddy working the dispatch computer, Robbie on his iPhone.  The clock on the wall reads “11:49”.  

Out of the frame, the loud sound of a large office access door, opening and closing.
A MAN... Black, early thirties, wearing horn rimmed glasses and a cardigan... enters, without speaking.  He walks through the frame, straight to the MEN’S ROOM.     

                                                                                                ROBBIE
                                                                                (texting)
                                                                Who’s that?

                                                                                                BUDDY
                                                                                (half in Tagalog)
                                                                Ang aking bagong kasama.  My new roommate.

                                                                                                ROBBIE
                                                                                (not looking up)
                                                                Where’d ya find him?

                                                                                                BUDDY
                                                                He works days... here... in customer service.
                                                                                               
At the edge of the frame, the men’s room door squeaks open.  The man walks through again.  He makes no eye contact with Robbie or Buddy.  Out of the frame again, break room kitchen noise is heard... dishes, microwave, a can falling from a soda vending machine.

                                                                                                ROBBIE
                                                                                (still texting)
                                                                Then why is he here... now?

The kitchen sounds go silent.  The man carries a bowl of popcorn and a can of soda into the main office area.  He gives a blank look at Buddy and Robbie, and then heads to his office cubicle.  He sits at the desk, and begins to watch a movie from Netflix on his desktop company computer.   

                                                                                                BUDDY
                                                                He lives here... now.

The man giggles at something while watching his movie.

                                                                                                ROBBIE
                                                                For how long now?

                                                                                                BUDDY
                                                                Ng ilang araw... sa isang lingo.  About a week.

                                                                                                 ROBBIE
                                                                When is he leaving?

                                                                                                BUDDY
                                                                I didn’t ask.

                                                                                                ROBBIE
                                                                Every night?

                                                                                                BUDDY
                                                                Every night.

LOUD BELLY LAUGHTER booms from the cubicle.

                                                                                                ROBBIE
                                                                So he’s a resident.

Robbie gets up to leave.

                                                                                                BUDDY
                                                                Don’t go.

                                                                                                ROBBIE
                                                                Why?

                                                                                                BUDDY
                                                                Siya ay mabaliw.

                                                                                                ROBBY
                                                                                (tilts head)
                                                                Hmm?

                                                                                                BUDDY
                                                                                (whispers)
                                                                He’s cray-see.

The man appears, seemingly from nowhere, staring blankly at Buddy and Robbie.

                                                                                                THE RESIDENT
                                                                Anyone want popcorn?

The man heads back to the break room without waiting for an answer.

                                                                                                ROBBIE
                                                                I’m outta here.



And I’m outta here... till next  time.  



Copyright © 2012 Bill Friday


Tuesday, May 29, 2012

The Screenplay Diary: "Between Love and Orgasms"... Just Keep Writing

A couple of days ago, I got an exceptionally nice mention in a blog post written by a very dear friend, in which she mentioned my ongoing efforts at writing a screenplay.  After reading the post (and spending another day mulling over the idea that sometimes people recognize you as much for your attempted accomplishments as they do for the ones that you have actually accomplished), I realized that it had be months since I posted my own article on where I am in the process of taking an idea, and turning it into a finished, 100 plus page manifestation of the original spark inside my dimly lit writer’s mind.

My conclusion (after the day of mulling) is that, while life can be life’s own biggest ball and chain, there comes a time in the writer’s life when he just has to take the advice of his 9th grade typing teacher and (thank you Mr. Wanous), “Just keep typing”.  There will never be a better time for putting your story on the (computer) screen, than the moments you have right the hell now.  It doesn't matter if it’s a few words out of a character’s mouth, scribbled in the margin of a work report from the night job you blame for keeping you from writing in the first place... it doesn't matter if it’s an illegally thumb-typed (remember that texting to yourself while driving is also a finable offense in California) memo on the notepad app on your cell phone.  And it sure as hell doesn’t matter if it’s one brilliant plot twist that you have on a wallpaper post-it on your laptop.  Script is script.  And writing is writing, even when it doesn’t feel anymore like writing than Cheetos feels like food.

“Just keep typing”.

As always, I will leave you with a small portion of the unfinished script of Between Love and Orgasms.  In this scene, between Robbie, the main character, and his best Tagalog-speaking, Filipino work friend Buddy (a character I always see being played by the one and only Ken Jeong), Buddy is attempting to explain why the only thing worse than sex with your next-door neighbor’s Russian wife is sex on the internet.


                                                                                               BUDDY
                                               Paano ko ito sinasabi? It's kinda like bragging
                                               about a  3 inch penis in a roomful of porn stars,
                                               and getting away with it... until you decide to
                                               meet for real, and then Ikaw ay fucked sa 
                                               pamamagitan ng hindi pa fucked.


                                                                                               ROBBIE
                                               Google translate that one for me please.


                                                                                                BUDDY
                                                You get fucked by not getting fucked.





So, I'll keep typing... and see you next time.



Copyright © 2012 Bill Friday

Saturday, May 5, 2012

Bill Friday To Be Inaugural Guest On Expats Radio

(BIG PRESS RELEASE KIND OF ANNOUNCEMENT!!!) 

It's Always Friday, in cooperation with Expats Media and BlogTalkRadio, presents... "Expats Radio talks with Bill Friday".  Hosted by writer and activist and Publisher of Expats Post, Dean Walker, Expats Radio will feature authors and artists seen on the pages of Expats Post.

This Friday, May 11, at 3 p.m. Pacific Time, It's Always Friday's own Bill Friday will appear as the first guest on the inaugural broadcast of Expats Radio, live on BlogTalkRadio.  The show will also be taking your phone calls live for Dean and Bill by calling 1 (646) 200-4691 or 1 (646) 200-GO 91.  

The program will also be available to hear 24 hours a day at BlogTalkRadio's Expats Media - News and Entertainment page, where you can find links to all things Expats, including Twitter, Facebook, RSS subscription, and how to get Expats Radio for your iPhone from the iTunes store.  

See you then.

Saturday, April 21, 2012

(the) Philosophy Of Shit

Think... or get off the pot.
I wrote the following words this past week, and posted them on Facebook, during a time of emotional upheaval... 


Philosophy of Shit. 


“Taking shit from somebody indicates a felt need for more shit in one’s life… Giving a shit indicates a history of needlessly taking shit from others… 


To say that I no longer give a shit, or take shit, from anyone, anymore, about anything, indicates that my personal shit levels are finally right where they should be… 


No shit.”

Monday, April 9, 2012

Sometimes Love Can't Shut Up

A spoken word reflection on love...



Sometimes love can’t shut up.  It’s a bad habit that love can’t seem to break... not that it ever tried.  Love always seems to talk at the worst possible times.  Like when other much more deserving emotions wish to say their peace, and walk away.  I swear there are times that love, if it was smarter, would save itself the ass-whuppin’, and just move along.

Tuesday, February 21, 2012

Muth Labben


Today is for counting my wasted yesterdays
Each one neatly lined up, row on dusty row

Every year the same...

Today is for remembering your unborn tomorrows
And the time I sit, because walking is too slow

There is no blame...

Today is for pretending to make sense of the past
From a life ended, with nothing to show

When I speak your name...

Today is for thinking that memories last
But all they do is fade, until they go...

Like every unfinished song to be sung...



About the death of a son.



Copyright © 2012 Bill Friday

Wednesday, February 1, 2012

Out of a Crowd



I wouldn’t choose you today if I had to.

Out of a crowd, or all alone.

this makes me want to die

Maybe only to save you from some something.                                                                

Not for the old, not for the new if I had to.

this teaches me to lie  

It’s sad and it’s true.


but only to get by  

Because there’s not much else to do.

no more asking why

With you.






Copyright © 2012 Bill Friday
content originally appeared on the website Expats Post

Saturday, January 21, 2012

Amicus


I have seen the way I see you, forever.
In the now and then, the same
Never worse, only better,
In honesty, not shame…

I have seen the way I see you, forever.
Not your lover, not your brother, in name.
Without end, or beginning,
Only right now today…

As I see you.

Thursday, December 15, 2011

The Screenplay Diary: "Between Love and Orgasms"... How to Write a Movie in 21 Days

“The you who started the script is different from the you who finishes it.”

Viki King

While I’m not in favor of gimmicks, I am in favor of the idea of freeing my mind from the things that slow me down in the creative process... like thinking.  If I’ve already done my thinking... and on this story, I have... then maybe just letting go, like author Ray Bradbury often suggested, so the characters can do the talking, is the exact, right thing to do.

So when I found screen story writer Vicki King’s book, “How to Write a Movie in 21 Days: The Inner Movie Method”, in a stack of um... lightly read... paperbacks, I decided to give it another look.  The essence of the author’s instruction is simple.

Don’t over think.

And since I’m still closer to the beginning of this (Lord, I hate the word) journey, I figured it wasn’t too late for a little light, and often profound, reading along the way.

Thursday, December 1, 2011

The Screenplay Diary: "Between Love and Orgasms"

This is a new feature, and for me, a new project.

After a very intense creative period this past spring and summer, writing a regular weekly column on a website I had written for since January of 2007... and having left that long-term situation rather suddenly... I found my writing, and my blog, absolutely dead in the water.  My greatest creative outlet had dwindled to participating in comment threads on Facebook, and starting and stopping maybe three dozen failed "somethings" of a page or less... in a lot of cases much less... in a folder on my laptop.

One idea would come, and another would crowd it out just as fast, and nothing worth posting or publishing.  And sometimes, the best thing that can happen to a writer is writer's block.

Friday, September 2, 2011

Friday On Friday - "Insanity"


It’s gone... rooting and digging through the dust encrusted piles of pressed paper, like a shaking addict’s fingers through his own vomit, hoping to find one last undigested pill.

It’s lost... pretty, flowing words. A last living connection with dead memories, buried in the collapse of time.

It’s over... searching where there is no finding, again and again, repeating the insanity of what does not change.

It’s complete... unacceptable acceptance at the loss... of words, of control, of hope.  Yesterday is gone. Today is over. Tomorrow never promised.


So I write.

Friday, August 26, 2011

Friday On Friday - "Year Zero... Part 2"



It's the last Friday of the month... and with it, the second installment of "a feature within a feature".

A semi-personal reflection on the present...

Part 2 of a “feature within a feature”.



Time runs out

No matter how much of it you have, no matter how hard you try to give it structure and order and meaning, time runs out. However cluttered or empty your to do list, how early or late you start, eventually... time calls you a fucking idiot.

It’s not that time waits for no man, it’s that time mocks man. For the atheist, time is God... a deity without pleasing... taking from him everything until that day when either God or time, depending on your view, takes from you that last, most precious thing... the rest of your time. For the true believer, time is the Devil... the adversary of their souls... opposing every righteous plan until that day when time or God, depending on your view, takes from you that last, most precious thing... the rest of your time.

But in the end, the atheist and the true believer are left to lie down in the same dirt together, each ultimately sharing the other’s fate. Because in the end, and having been both... I know that they, whether they accept it or not... are both the same.


Looking forward

Who wants more than the man with nothing? Yeah, a real Zen riddle. Who wants more? Maybe it’s the man with everything.

The man with little tends to see only what’s in front of him... next meal, next beer, next crap. His desires are as simple as his needs... a place to live, food to eat, and the means with which to have them. It’s only when he has the options of choice that things complicate, and the clutter of his own mind begins to slow his ability to respond to the most rudimentary questions, like, “Do I wear the black shirt or the white?” and, "Do I have sausage or bacon with my toast and jam?” Screw the real questions that could be asked and answered with all the energy wasted on thoughts of Cheerios vs. Frosted Flakes, Chevron vs. Shell, or Twitter vs. Facebook. Life is graded pass/fail for no other reason than so few of its students could afford the tuition, so most of us just drop out with the hope to one day get our GED.

The man with everything, having everything to lose, can’t afford the one luxury of the one thing he cannot buy... the time for looking back. Because to maintain all that he has acquired, the man with everything can only move forward, always... like the shark he has become. To “…swim, and eat, and make little sharks” is the limit of his life. And the irony that attached itself to him like the remora on the shark’s back is that if he stops moving forward, like the shark, he will die.


Looking back

The man with nothing, changes. Not the nothing of living in a cardboard box and eating used burgers from a dumpster... but the nothing of a bled-out soul. As in a, “…the only way to find true happiness is to risk being completely cut open” kind of nothing. Unable to look forward, because you’re not yet done being emptied of the sludge that passes for blood in your veins... Unable to look back, because that part of your life is dead, and has begun to smell like three-day road kill in the breakdown lane of the I-5 between Bakersfield and Fresno.

And because of this, you wait… with your eyes fixed on the wounds that you pray will free you from the putrefaction of the only thing you can remember doing for so long, that you can know nothing else...

Looking back.

If past is prologue, then what the fuck is this?

Friday, August 12, 2011

Friday On Friday - "At A Loss For Words"


“Where have you been all my life?”

I always wanted to ask you that question. For so long I was afraid... afraid of your reaction, afraid of your words, afraid if I asked you would just send me away... alone. Every word inside me wanting to blurt out at once without benefit of punctuation or breath... every thought, ill-formed and badly defined, needing expression, but lacking the capacity.

Because I am at a loss for words.


“Come closer, I need to see your face.”

I waited so long for this moment to arrive... the childish reasons, the stupid hesitation... now eyes grown dim with the passing of time. I knew your face once, when I was much younger... every lineless curve, not yet aged with the character of years, so full of promise... and I left you behind. And while I was distracted by every passing urgent need, you never forgot.

And now, I am at a loss for words.


“What was I even thinking?”

Going my way... playing at being a man, making decisions like a child... and questioning every one. Thinking didn't help... never could. What you could have shown me. Thinking what was distant and unseen would be better than what was right in front of me. More than youth is wasted on the young... sometimes it’s the wasted future, and the dreams, the fucking dreams... all dry to the touch and dusty with the years, and ready to blow away. Wishing that the past was now, and I had just followed my heart when it was all so temporarily clear,
and I was temporarily insane.

Would you forgive me if I am at a loss for words?


“Tell me it’s not too late.”

How often I would have asked that question, but you weren’t there because I sent you away. You said you understood, and I was glad at the time. The sooner I could be forgotten by you, the better it would be for me. I had unimportant things to do, and had to be about them and soon... because you had expectations and commitment is never for the young... until you’re old, and it’s too late. Reality called, and it wants my life back.

And it reminds me that I am at a loss for words.


“I was wrong.”

There, I said it. I want you back and I had to say it, finally, like you needed it... like I wanted you to know back when there was only us. But you moved on, and the words were gone.

And I am at a loss.

Friday, July 1, 2011

Friday On Friday - "Toleration Day"

“I’m a mess... a great big, contradictory pile of shit and bones. I don’t want to be loved. At best, I just want to be tolerated.”
Unnamed character in the unpublished story, “Day Sleeper”, by Bill Friday


Sarcasm: A sharp and often satirical or ironic utterance designed to cut or give pain. A mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual.

Free Merriam-Webster Dictionary


I’ve gotten a lot of feedback lately on my recent progress as a writer. All positive, which is funny, because when I began this literary adventure five years ago, a few glaring differences between the me that was... and the me that is today... are obvious. And while I could waste your time and mine on all the tiny details of why reading me today is better than reading me in 2007, the most apparent difference is summed up in this,

Now... I’m cool.

Ask anyone, “Who’s cool around here?” Chances are, your answer will be, “That Friday guy. He’s cool.” So now you’re probably wondering, “How can I be considered ‘cool like Friday’?” I’m glad you asked.

Never disagree with anyone in public. In my experience, backstabbing is the way to go. On this site over the last four-and-a-half years, I have received 170 anonymous “you suck” (one-star) ratings for my 101 articles. This alone uniquely qualifies me to comment on such matters.


Never write about anything that matters. Content that matters tends to polarize... and polarization leads to hatred by at least 50 percent of potential readers. Writing about things like “feelings” (which, by the way, also works great on a first date), not controversial or trending topics, will ensure that while your readership may be suffer diminished numbers, those few who do read you regularly will love you all the more because each reader will know that every word you write is written directly to them.


Don’t write too often. People will get tired of you and marginalize you, then sick of you altogether. I wrote 40 articles in 2007 and 39 in 2008. By 2009, I was down to 6, and my popularity grew more in my unexplained absence, proving the made-up right now by me adage, “Between prolific and witness protection... lies the legend.” And when the legend becomes fact, print the legend.


Make friends with the cool people. Cool people are just that, “cool”. And cool people tell other people who the cool people really are... they move the needle. Make friends with them, and you go from writer to trending topic. Say things on the comment board that the cool people agree with, even when you have nothing to say. Nothing says cool like saying nothing.

Just ask Joaquin Phoenix.


Make friends with the un-cool people. There are more un-cool people in this world than cool people, and unlike cool people, un-cool actually read. Reading headlines is for cool people... reading whole articles is a job for the un-cool. By dropping literary cookies into your articles that resonate with the un-cool masses (like references to LARPers Weekly or the G-4 Network), not only can you guarantee pageviews up front, but also when the un-cool use nerd tools like the keyword search box, because you thought in advance to include hash tags like #baseball, or #scott boras, or #el g.


(regarding comments) Stay cryptic. Fans don’t want to be told what you mean when they already know what you mean... because you were “speaking directly to them” (see "Never write anything that matters", above). While being cryptic in the comment threads of others can get you accused of being an internet Troll, being cryptic in your own threads gets you accused of being obfuscatively original.


Never, ever, tell the truth. Even if it’s really true. If other people suck, never tell them. If you suck, well… that’s just something to keep between yourself and yourself.


Always, always, remember where you came from. The past has a funny way of reminding us of two equal, yet opposite things. We really are worse than we think we are, and… we really are better than we think we are. No, you read that right. No one is as good, or as bad, as their press clippings… except maybe Carlos Mencia. To prove that bi-polar point, read this excerpt from January 9th, 2007.

This just in: My popularity is 0. Zeeerohh! As if I needed proof. Thanks for the update. A clean slate by any other name, etc.

Oh well.

Guess it's better than entropy. Not "Entropy", the movie that almost killed the career of Phil Joanou, but "entropy", from which we get the nursery rhyme (for the sad children of rocket scientists), "We cannot win, we cannot tie, and in the end we're all gonna die".

(Warning! This is not a movie review, a SciTech article or a children's story. It's safe to keep reading - Ed.)

I know, this intro is probably going to keep my popularity at zeeerohh for the remaining years of my writing life which in this town is more like less than zero. Not "Less Than Zero", the movie that should have killed the career of Brad Pitt (really, Google it), but...

(Warning! Bill Friday has never been popular and therefore has never known when to shut up - Ed.)

The good news in all of this is that, if I've done the math right, I can never receive a rating that isn't at least a zeeerohh. A lot like the song, "Saved By Zero" by The Fixx that really did kill the careers of...

(Warning! Bill Friday will never write on the topics of physics, poetry, movies or music ever again - Ed.)

And there you have it people. Be tolerant of the newb you read today. You never know, one day, he may be really cool.